I work with video crews for taped, live and online projects that have small and large setups (single and multiple subjects and cameras), run-n-gun (mobile) & static shots, and other typical location production scenarios.
Most work is based in the US East Coast's DC/MD/VA-areas (and other surrounding state areas) for local clients and other
I work with video crews for taped, live and online projects that have small and large setups (single and multiple subjects and cameras), run-n-gun (mobile) & static shots, and other typical location production scenarios.
Most work is based in the US East Coast's DC/MD/VA-areas (and other surrounding state areas) for local clients and others visiting from U.S. states nationwide, in addition to International clients based world-wide.
Video work includes Documentaries, Commercials, Corporate projects, Sports, Government (federal, state and local levels), Military, Nonprofits/NGOs, Entertainment, Medical stories, Human Interest, Animal & Pet stories, Marketing, Conferences, Network News, Streaming/Websites platforms, and other production project types.
I have over 20 years of professional production experience working with top-notch experienced production crews who use digital broadcast and video cameras of all sizes, such as Sony (FS7, Fx6, Fx9, A7s, XDCam), Red (Epic, Dragon, Komodo), Arri (Amira, Alexa-mini); BlackMagic, Canon (C300, 500) and the smaller DSLR Canon and Nikon cameras
I have over 20 years of professional production experience working with top-notch experienced production crews who use digital broadcast and video cameras of all sizes, such as Sony (FS7, Fx6, Fx9, A7s, XDCam), Red (Epic, Dragon, Komodo), Arri (Amira, Alexa-mini); BlackMagic, Canon (C300, 500) and the smaller DSLR Canon and Nikon cameras (& in years past, though not used nowadays: the older, bigger camera models such as the Panasonic 900, & Sony HD PDW800).... among many others.
Production setups can involve a single camera or multi-camera shoots and 1 to multiple subjects on-camera together; either hardline cables (static interviews) or wireless camera hops, and TC-jam syncing all devices (cameras, slate, TC units). (Please note for international clients, "wireless" = "radio")
I can provide various sound packages with differing gear elements as based on the client's sound requirements and budget for the project. My sound equipment is listed on the "Equipment List" page.
If you would like to talk more about my experience and capabilities--and the sound specs and equipment required for your shoot-- please contact me anytime on my cell 310.895.3464 (a phone call and text are the best methods for an immediate, timely, quick response) and by email, marianna.lafollette2010@gmail.com.
If calling from overseas,
If you would like to talk more about my experience and capabilities--and the sound specs and equipment required for your shoot-- please contact me anytime on my cell 310.895.3464 (a phone call and text are the best methods for an immediate, timely, quick response) and by email, marianna.lafollette2010@gmail.com.
If calling from overseas, please let me know if you would like to connect using a video call (app or internet site, such as Zoom, FaceTime, or Google Hangout, for example), or via What's App (which is sometimes easier for internationally calling).
My being local in the DC area might help you flesh out your project when visiting the DMV area, especially if you're coming from another part of the US or are based internationally in another country. Please feel free to ask me for other resources needed for your shoot--such as, other crew member recommendations (camera, grip, PA, for ex)
My being local in the DC area might help you flesh out your project when visiting the DMV area, especially if you're coming from another part of the US or are based internationally in another country. Please feel free to ask me for other resources needed for your shoot--such as, other crew member recommendations (camera, grip, PA, for ex), locations (lifelong DC & tri-state working freelancer and resident), transportation questions (such as rush hour impacts vs. country driving among the lonely corn fields) and any other aspects that will impact your shoot's planning.
Anytime, any place....I'll be ready.
Best wishes with your plans for the project.
Cheers,
Marianna LaFollette
("lah-FALL-it")
Location Sound Recordist
Tell me a little bit about your project (including setups, types of sound gear needed, # of subjects & cameras, and so forth). I'll get back to you as soon as possible, with ideas and various sound specs for how I can provide you the best location sound service & gear package that would best fit your project's needs and budget.
Washington, DC, MD, VA & other areas
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